However, Paramount have asked Collider to take down the poster, strongly suggesting it was the real thing.

Obviously, the poster is copyright and it would be wrong for us to show it, thought it is freely available around the web.

Just in case Paramount have taken those two links down by the time you read this, you can assemble it yourself. Just imagine this logo:

Above an image by Herge, like this one:

And that’s about it.

Thanks Proman for spotting it originally, Britto for his observations and and Tom for noticing its disappearance.

You can find a PDF of the full interview here. Thanks to Archibald for the link.

There is no new information but there is some confusing / wrong information.

On the script Total Film says “The first draft was knocked up by Coupling writer Stephen Moffat, only for him to turn his back on the project”. This is not entirely true – The script was complete but Moffat was prevented from working on the script for the second film because of the writers strike in America. By the time that finished, he had been offered a chance to fulfill a life long ambition to write for Dr Who.

See Moffat Walked Away From Tintin and Moffat Denies Quitting Tintin for our original coverage. Note also how Total Film report that Moffat walked away from $2 million yet the original newspaper reports it was £500,000. A great example of the guesswork and the constant inflation inherent in the game of chinese whispers that is reporting on Hollywood.

Total Film go on to give credit to Edgar Wright and Joe Cornish for the bulk of the script writing duties where as the original press release gives them equal credit and the info at the time suggested this was just minor changes to Moffat’s script. However Total Film go on to say:

“….have condensed events from three of Hergé’s stories (The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham’s Treasure) in order to introduce the major characters ….”

This is (probably) wrong.

Comments from Spielberg have previously put the first film as covering The Crab and events up to the end of Unicorn. Also Professor Calculus has never appeared on any cast list and Red Rackham’s Treasure would be unthinkable without Calculus and the shark submergible.

Source: New Movie Logos for MIIIB 3D, Spider-man 3D, Mission Impossible 4 and More (Thanks Proman!).

Since Christmas I’ve had very little time for Tintin due to a number of issues coinciding including a big project I’m trying to get off the ground and my Mother having various chronic health issues. It must also be said that Mounlinsart’s approach to copyright enforcement has made be much less eager to blog on Tintin even when I have the time.

The situation is not likely to change over the next few months but I’m hopeful that by the start of next year, as publicity for the film begins, I will have more time for blogging.

In the meantime, you can help this blog by letting me know of any Tintin news. If you spot anything of interest, please let me know by posting a link in a comment.

Many thanks everyone.

Chris

See: Tintin The Videogame: PS3 / Wii Bound Only? and RUMOR – Tintin game may be hitting Wii, PS3 exclusive.

This titbit of information appears near the end of this article: Endlessly devoted to his music

At home in Los Angeles, he takes a one-hour break from writing each day at dusk, he says, to walk at a golf course near his house. After his walk he returns to the piano, working until he has finished the day’s writing task: two or so minutes of music. Williams has just completed a chamber music piece for the La Jolla Music Society’s SummerFest in California and the score for “The Adventures of Tintin: The Secret of the Unicorn,’’ a Steven Spielberg movie due out next year.

It may be short of news but mentioning John Williams gives me an excuse to feature this video.

According to regular readers Sam and Proman, these have been out for a while and originally appeared on Tintin.com. Somehow I had missed then when they first came out and despite having looked twice, I still cannot find their original appearance.

Note: The photos below are copyright to someone, probably the production company behind The Adventures of Tintin: Secret of the Unicorn or Moulinsart.

This shot (reportedly) shows Jamie Bell with another, unidentified actor and members of the crew. Snowy is simply a piece of cardboard on the end of a broomstick and just there so that the actors have something to react to when filming the scene.

Actually, that should be capturing, not filming, the scenes. There is no film or even video involved in this process.

The strange, wet-suit style, costumes the actors are wearing are covered with markers. These markers are tracked by sensors placed all over the room and their location are precisely recorded hundreds of times a second and stored to a computer. This data is then used in the CGI animation process allowing the director to create any style of image they want but based on the real movement of actors.

There is a second photo over at As Aventuras De Tintim, a Brazilian Tintin blog: EXCLUSIVO: Novas imagens do set de Tintim. I cannot find these images anywhere in the mainstream yet so this is a real scoop for them.

One of Hergé’s most important assistants through the 1950s and 60s (notably on the South Sea Sharks and Tintin in Tibet) and one of the pillars of Tintin Magazine, he acrimoniously struck out on his own in 1972 to concentrate on his own comics, which in some ways owed more to the other great master of Belgian adventure comics of the time, E. P. Jacobs.

Source and Copyright: MetaBunker Jacques Martin RIP

Enjoying success in his own right after his creation Alix sprang from the pages of the Tintin magazines to become its own brand, Strasbourg-born Martin plundered Imperial Rome, Egypt and the Napoleonic era for the backdrops to his stories.

Source and Copyright: The Independent Alix creator, Tintin artist Jacques Martin dies aged 88

Alix was a historic comic set around the time of the Roman Empire, travelling the known world at the time. He also created the comic Lefranc in 1952 and collaborated on the medieval architect comic Jhen in 1978, the French revolutionary officer Arno in 1984, Athenian Orion in 1990, Egyptian Keos in 1992, and Loïs in 2004, set in the court of Louis the sun king of France. Alix has continued publication to this date, though due to failing eyesight, Martin delegated artistic duties from Rafeal Morales from 1998.

Source and Copyright: Bleeding Cool Alix Creator Jacques Martin Dies, 88