Tintinology (formally Tintin Movie .org) is an independent news and analysis service on the Tintin movie and the works of Herge. (c) Chris Tregenza, Tintinology.poosk.com
Tintin, Tintin & Snowy, Captain Haddock, Thomson & Thompson, Professor Calculus and Herge are all trademarks of Moulinsart S.A. The text and images of the 24 Tintin albums (c) Herge / Moulinsart S.A.
New Peter Jackson and Steven Spielberg Interview: Jackson will start working on Tintin 2 as soon as he’s done with The Hobbit
In a recent interview with Total Film, Spielberg and Jackson revealed some information regarding the sequel to ”Tintin,” . . . which is really not much information at all.
“Peter [Jackson]’s doing it. I wanted to do it, but Peter has to because we made a deal. I said, ‘I’ll direct the first one, you direct the second one.’
“And Peter, of course, is going to do it right after he finishes photography on The Hobbit. He’ll go right into the 31, 21 days of performance capture.
“We’re not telling the world what books we’re basing the second movie on yet.”
But didn’t producer Kathleen Kennedy say it’s going to be The Calculus Affair?
“We haven’t decided that yet. She’s throwing a monkey wrench into your story! It could be that. I like The Calculus Affair. So it could be.
“We have completed a story outline now. We have a writer on it. I’m just not declaring what it is. It will be more than one book, but no more than two.”
Why wouldn’t he go right to Tintin 2? It only takes a month or less on set to shoot!I see the wisdom of their choice of not revealing the stories just yet…Apparently it’s not Prisoners of the Sun, and it may or may not be the moon books (a long time ago that was considered as a better Tintin 3). That leaves no more two part stories, which means another combination of stories that is bound to receive mixed reactions. I was amazed at how well the two they blended last time worked, and especially after recently having read Horowitz’s ”The House of Silk”, I am firmly confident that he can write an adventurous story while respecting to the best degree Tintin’s original albums. So long as people understand they will not BE the original albums, the movie should be very enjoyable, like the first one was. However, if they wait too much longer I think I am going to explode. I have made little effort in concealing the fact that my vote definitely goes to The Calculus Affair. But what story would it go with? Maybe just the a small section of Red Rackham’s treasure to introduce Calculus, or do they plan on grafting in more than just that from one album into another? Jackson, I would really appreciate it if you don’t wait TOO long to reveal the albums to the world.
I was sitting looking at Tintin stuff on the internet and suddenly realized that the fat lady in the phone booth that takes shelter from the rain never made it in the movie! I guess she wasn’t really needed if she wasn’t missed until now, and I’m not sure were it would have fit in since Tintin never needs to ”call the captain”, but I still kind of hope that it’s a deleted scene somewhere on the DVD. If not, I would really appreciate it Jackson and Horowitz if you would please include that section somewhere in Tintin 2…
I wonder if the scene was deliberately cut out because there is really only a couple females in the whole movie with a name, and while that is completely true to Herge’s works it still might have bothered some people for the only other girl in the whole movie that Tintin talks to after Mrs Finch to be a stereotypical fat lady with her dog ”Fifi”.
Anyway, I guarantee I will laugh hard if it makes it into the next script…
For those of you who may have found this through google or some other way and are not a regular follower of this site, I can assure you that while you will find many, many reviews of ”The Adventures of Tintin” on the internet, you will find very few written by somebody who has been an avid Tintin fan for years to the extent that he has been following every last piece of information available about the progress of this movie since it was first announced almost five years ago that Spielberg was going to pick up his old project and finally make a Tintin movie. Here you will find two such reviews. One is Chris’ review, the guy who started this blog and wrote everything until his schedule got busy and allowed me to write posts. Shortly after the movie premiered over in Europe he wrote a great review for both the Tintin fan and the man who’s never heard of him until now alike. I recommend you check it out here
The other such review of course is mine. I’m probably the biggest American Tintin fan you’ll ever meet. For those of you clueless people out there, Tintin is a very well known comic the Belgian George Remi (pen name Herge) drew from the late 1920s to the 70s. Tintin is a reporter that always finds himself on incredible adventures with his faithful white fox terrier, Snowy. He’s never been popular in the USA, but just about every other country in the world has heard of him. If you think that’s an exaggeration, check out how well Tintin did in the box offices over seas. I’ve been looking forward to seeing this movie much more than I’ve ever looked forward to see any other movie in my life. Did it live up to my expectations? In a world where movie tickets are expensive, is it worth your cash? What if you’re not a Tintin fan? Will you enjoy it?
I hate spoilers as much as you do so need not worry about reading any here. First of all, if you are new to Tintin you will not be lost. The movie does a terrific job of introducing the movie’s main characters. If you are a fan, you will recognise all of them as the characters you know, not as some horribly distorted version of them Hollywood threw together. Everybody making this movie went to great lengths to make sure that the original stories and artwork were respected as much as possible. The movie actually combines two Tintin albums, ”The crab with the golden claws” and ”The Secret of the Unicorn (there’s also a little bit of ”Red Rackhams treasure” in there, but not much), but you’d never know they weren’t one fluent storyline if you’ve never read the books because they are so magnificently blended together. As a matter of fact, while there are certain things that surely only a Tintin fan will appreciate when they watch the film, there are some things only somebody who is not at all familiar with the storyline will experience fully. I had very few problems while I was watching the movie, but one of them was really my own fault: I know the story of ”The Secret of the Unicorn” like the back of my hand. As a result I already knew almost everything that Tintin discovers little by little throughout the film. At some points I thought that the mystery side of the movie had been a bit overdramatized and that Tintin was taking just a little too long to put all the pieces together (quite literally), but again, the answer to the mystery is obvious once you already know the secret. But even when I knew what was coming, I still thoroughly enjoyed the film. There are lots of hilarious lines in the film, many straight from the books but most just clever new lines the excellent writers came up with. Don’t let yourself be fooled into thinking that actors only did the voices in this film: every movement from their bodies and faces has captured by computer, and the animators then did an excellent job of putting ”digital makeup” on. Jamie Bell did a very good job as Tintin. Some people have complained in other reviews that the movie is so action packed there is little time for Tintin’s character to be really developed. But the truth is that we know very little about Tintin, and Jamie Bell did a great job at not answering those questions for us. We don’t know who his boss is or who his parents are. We don’t really care. What we do know is that once he sets his mind to do something, he heroicly keeps going against all odds no matter where in the world danger takes him. And the movie does a wonderful job at taking us on the adventure with him.Pretty much every frame of the movie is a piece of art…You could get a sense of what I’m talking about by checking out some of the movie stills or watching the trailers, but you really won’t understand just how great it looks until you see it in the movies. Especially the city of Brussels and the port in Morocco are bright,colorful and incredibly detailed. As far as the people go, they look wonderful to me. They still look like the cartoon characters from the comics, but when you see each individual hair on their heads and the sand and the sweat on their faces as they trod through the desert, you have to remind yourself it isn’t real and congrutalute Weta for their great job. The movie is in a number of formats, but I recommend you go see it in IMAX 3D like I did (if you can find one that doesn’t have all of it’s showtimes filled up with ”Mission Impossible 4”). Chris didn’t particularly like the 3D, but I’ve always been a big fan of IMAX 3D and really enjoyed certain sections when it looked like the dust Tintin’s flashlight was hitting or the woodchips that were exploding or even Captain Haddock’s nose were really in front of my face. Aside from a few moments when the camera pans so quickly a few things seem out of focus, this is a movie that the 3D really works well in, especially on the enormous screen. However I’d say that if you see it in 2D you shouldn’t feel like you’re missing too much because the 3D is more of a fun added bonus to the movie experience.
This is a movie you can take your kids to (they’ll LOVE Snowy), but it’s not just a movie for kids. I fear that many people will go to action packed Mission Impossible 4 and miss one of the best movies that came out this year. What really made the movie for me was Andy Serkis’ brilliant performance as Captain Haddock. Haddock is absolutely hilarious. When you’re not laughing at what he’s doing, you’re laughing at his lines, and when you’re not laughing at his lines you’re probably laughing at his face. He has a Scottish accent in the film (most of us didn’t see him that way in the books) but I fell in love with this version of Haddock immediately as Serkis brought it to life before my eyes. There were times when shots Haddock and a flashback of Sir Francis alternate with a fluency that could only really be acchieved using motion capture.The Thompsons also have a great part in the film, and the only thing I regret about their parts is that I wish they had appeared more in the movie! ”Tintin 2”, which has been officially confirmed, is said to give them a larger role. Daniel Craig did an awesome job as the villain Sakharine, and it’s funny to recognise James Bond playing a villain’s part. He is not the most evil of villains, but he certainly beats (in my mind anyway) the ”Bird Brothers” that were the somewhat pathetic villains in the original stories. I disliked to some degree how Allan, who was a main villain in ”The crab with the golden claws” became more of a wimpy sidekick to Sakharine, but it did work well in the story.
For Tintin Fans (the only spoilers here will be spoilers to non-Tintin fans)
If you are a Tintin fan worried that they’ve taken the stories and thrown in too many pointless action scenes, don’t worry about it. There were really very few sections that I didn’t instantly recognise from one of the books,even when the trailers sometimes make it seem like there are more, and they were anything but annoying. Actually I was very pleased that finally Tintin was doing something new because much of the fun for me in watching the movie was seeing what fun new things the writers could come up with for Tintin to do without insulting the fans. As I said before, the storyline was very familiar to me, and it was good to see some changes to it to make the movie more exciting. The scene in Bagghar with a brilliant cameo appearance of Castafiore and the chaos that follows is actually one of my favorite parts. If Herge could see it today, I think he’d laugh. And the other new scene at the end,a final clash between Haddock and the villain,is a great way to finish their side of the story. Never once do the new scenes seem to make the characters do something against their personality, and if they slow down the story at all it’s only so you can take a moment to enjoy yourself and laugh at what’s going on.
Tintin DOES use a gun (just like he does in the books) but as far as I could tell he never once killed anybody and hardly if ever wounds somebody. He shoots at motors or ropes to get what he wants or protect himself.
Any Tintin fan would be a fool not to go see this in theaters while they still can! Herge’s artwork is apparent from the first 3 seconds of the movie, and both the style and music of the intro feels like you’re watching the beginning of ”Catch me if you can” with about 14 million tributes to the different Tintin albums thrown in. It’s fun to watch moments throughout the movie that have elements thrown in from different books. There are more easter eggs in this movie that any I’ve ever seen, and if you have a good Tintin fan that can go with you to watch the movie you’ll enjoy yourself that much more, because you’ll both be the only people in the theater that know why you’re laughing at what’s on the screen. I won’t say what it is, but there’s a magnificent tribute to ”Explorers on the moon” that I really enjoyed. I can’t wait to own this movie on blu-ray and watch it with all the pizza and popcorn I couldn’t afford when I watched it in IMAX, this time with the remote control to pause the image and read newspaper clippings, compare character’s faces with the albums or look for more references.
You really have to see this movie. Europe loved it for good reasons. If you don’t know who Tintin is, you don’t know what you’re missing. If you DO know who Tintin is, you would make a grave error to not watch this because you are worried about ”what they’ve done to Tintin”. Don’t worry about it, trust me. No matter who you are, this is a must see. It’s the biggest installment in Tintin’s history since Alpha-Art was published.
If I could make a suggestion for the next film it would only be that the next story not revolve as much around a mystery and more around whether or not Tintin will be able to complete his clearly defined objective at all (i.e save Calculus from the Bordurians…hint hint…) I love that heroic side of Tintin that will do anything to save a friend, and I hope to see that developed more in the next film.
Go out America, and enjoy the film. Spielberg, Jackson, Weta, and the whole massive team in the credits, I applaud your hard work. The wait was worth it.
Nobody can read a Tintin album without marveling at the beauty of Hergé’s style. Every album is more than just a comic book: it’s a work of art. And aren’t you glad Weta kept that in mind? How many movies based on a comic book are made with the specific intention of staying true to the original artwork from the book? And what’s more, how many times do fans of such a movie get a book that explains how the animators pulled it off?
That’s what Weta and Harpercollins will give us, and I must admit this one has me more excited then the sticker books…from voxy.co.nz:
From early concept illustrations to final shots from the film and everything in between, this book gives fans a rare glimpse of the creativity that goes into making a film like this a reality. The book even includes special pieces of artwork produced exclusively for this book.
The Art of The Adventures of Tintin features forewords from Steven Spielberg and Peter Jackson. Oscar winners Joe Letteri and Richard Taylor also share their insights into the film-making experience in their introductions for this outstanding book.
Moulinsart, the official organisation that looks after the world of Tintin, has contributed an introductory chapter on the comic’s creator Georges Remi, aka Hergé, and has kindly provided examples of his inspirational artwork for reproduction in the book.
We can also expect some fascinating interviews with the guys at Weta.
Chris Guise, the author of The Art of The Adventures of Tintin, provides a unique perspective on the film, both as a lifelong Tintin fan and as the lead conceptual designer on the film. Guise interviewed many of his colleagues about the production of the movie and lets them tell their stories and inspiration behind their work in their own words.
That’s a must-have for any Tintin movie fan if I ever saw one…or in this case read about one. When can we actually get a look at it?
The Art of The Adventures of Tintin will be published by HarperCollins Publishers in the US, UK, Australia and New Zealand simultaneously on 13 October in two exciting formats: a visually dynamic 200-page hardcover book and a ground-breaking digital e-book. The e-book will include wonderful additional imagery, special audio commentary from the film makers, character animations and extra content.
Whoa! Special commentaries and characters animations? Awesome! But hold on, back up a second. Did that say it would launch the book in October everywhere from America to New Zealand? The movie doesn’t even come out in these places until 2 months later! That’s awesome news! I suppose they just realized that since it’s available as an e-book they might as well let fans world-wide buy it at the same time. Still, it would be awesome if more Tintin movie merchandise becomes available in the US and other countries that don’t get the movie until December that early. The US will know who Tintin is!
One more thing: here’s a picture of the book’s cover. To be completely honest, I don’t like it much. It doesn’t look very natural, and and in my opinion we’ve seen Tintin look better. A lot may be the fault of the lighting or the bright colors. I’m not really sure. It actually has grown a little on me since I started writing this paragraph when I gave it a third and fourth look. I’m not sure what to think of it. But resting on the fact that I know from other shots that Tintin looks incredible, I’m sure that everything inside the book will be well worth it.
Sources: http://www.stuff.co.nz/dominion-post/culture/5176211/Jackson-writes-foreward-for-Tintin-book http://www.voxy.co.nz/entertainment/weta-and-harpercollins-publishers-announce-release-new-tintin-book/5/92848
Good find Proman and ”Tintin Fan”! I can honestly say I found out about this at the same time you did, but only because I’m becoming obsessed with news and Google ”Tintin news” every 30 minutes…
In our last post we covered the new trailer for ”The Adventures of Tintin: The Secret Of The Unicorn”, but a lot of details have been revealed that I didn’t get to. We’ll cover more on what we know about the gameplay itself in a future post, but for now we’ll stick to what systems the game will be released on. The ancient rumor that Tintin will only be coming to a few systems is nothing more than a lie. Tintin will get the multi-platform release it deserves.
This picture is from ”www.tintimportintim.com”, a wonderful Brazilian tintin fan site. I recommend you check it out. You don’t mind if I use this photo,do you Britto?
According to Ubisoft.com:
”…the video game will be released in the US for the Xbox 360® video game and entertainment system from Microsoft, the PlayStation®3 computer entertainment system, Windows PC, Nintendo 3DS™ and Wii™ this Holiday 2011.”
Apparently the Nintendo DS is already beginning to share the fate of the Gameboy Advance and Tintin is never to come to it. It’s actually kind of ironic. In one post I thought that Tintin might only be a platform game on the DS release. Now we know it’s a platform game on nearly every system EXCEPT the DS…which won’t even get a version of the game. While the DS is inferior to the 3DS in many ways, the main reason they may have chosen not to release the game for the DS or, apparently, the PSP is that the game will indeed be in 3D. There’s a very neat article on Gamespot by the guys who had the privilege of seeing a presentation with game play from the game in advance, and in their own words:
”…the presentation included four distinct action sequences, all of which were shown in 3D.”
I don’t know if the rest of the versions of the game for consoles will be 3D only if you have a 3D TV or if they will come with little cardboard pairs of glasses. But somehow it’s in 3D. I have actually never played a 3D game before, but I see how a platform game would benefit from the format having the different depths in the background. Now I can’t wait to see this game in action, but I still don’t have a 3DS or a 3D TV (as much as I want both) and don’t have the money for them either.
There is a bit of hope for those of you who were hoping for a portable Tintin game that doesn’t only go for a system that currently costs about 250 dollars. I’m not sure how we haven’t heard about this somewhere before, but a Tintin game is coming to cellphones, created by Gameloft:
“Tintin is one of the most popular comics of the 20th century,” commented Gonzague de Vallois, Senior Vice-President of Publishing at Gameloft “We’re particularly pleased to be bringing such a beloved and iconic character as Tintin to fans on their mobile phone, smartphone or tablet.”
It wouldn’t surprise me if this has little or nothing to do with the Ubisoft game. I would expect this one to not be as good. But for those who like cellphone style games, it looks like there is finally going to be something like a ”Tintin app”.
Finally, Ubisoft went all out and decided to make the Xbox and PS3 games compatible with the new technology:
It also includes exotic gameplay elements such as sword fighting, aerial combat and driving. This next-generation of Tintin includes support for the Kinect™ for Xbox 360, and PlayStation®Move for the PlayStation®3 system.
This probably means the Wii version will use the ”Wiimote” a good deal as well. Man, this game sounds like fun!
Sources: http://www.mobiletor.com/2011/06/07/gameloft-the-adventures-of-tintin-game-announced/ http://www.gametactics.com/2011/06/e3-2011-ubisoft-details-tintin-the-game/ http://www.ubi.com/AU/Games/Info.aspx?pId=9874
It was great to see the launch of a teaser tailer and advance posters for TINTIN, a movie I’m making with Steven Spielberg and Kathleen Kennedy. It’s been a very long time coming. This film, like all CGI-based movies, required a long period of previs and R&D—and then, once the movie is “shot” on the motion capture stage, it takes another two years to complete. It’s probably been 5 years since Steven and I started working on it.
What was great about making this film, was watching Steven step inside the world of motion capture film making, and unleash all of his skill and creative instincts. When you make a live-action film, so many things are working against you—weather, equipment, time. You may imagine shooting a scene with a wonderful crane shot, or a complex Steadicam move, but on the day, time, logistics or sheer physical difficulty forces you to compromise. On a motion capture stage, the “camera” can be a block of wood with tracking markers on it… you point this “camera” in any direction and on a monitor you see the world of Herge’s Tintin in three dimensions. Jamie Bell and Andy Serkis are in front of you wearing motion capture suits, but point the camera at them, and on the monitor you see Tintin and Captain Haddock. When Jamie and Andy move or speak, so do Tintin and Haddock, all in live, real time. Crane moves and tracking shots are performed by moving your thumbs on a Playstation style controller. This is not animation—it’s live action film making in a real-time virtual world. You shoot many takes, just like a normal movie, and each take is fresh and original, as are the camera moves.
Steven embraced this new film making very quickly, and I could see him loving the almost complete freedom he suddenly had. Steven operated the camera on Tintin himself—all the hand held, tracking and craning shots are his. But the really cool thing is seeing how his imagination and gift of story telling went into overdrive. It’s all there in the movie. Something to look forward to.
Empire just released not one but two incredibly awesome movie posters! They are so epic I hardly have to say anything about them. I will of course, but regardless they speak for themselves:
What’s worth mentioning?
- Despite the lack of a subtitle, it is crystal clear that ”The Unicorn” is a ship, not a fantastical creature. The uninformed viewer will know the movie will be more like Pirates of The Caribbean in some scenes than ”My Little Pony”.
- Snowy is not fat.
- Tintin is not holding a gun. Spielberg made an epic movie poster without one.
- The combination of dark shadows and blazing flames both on 16th century ships and 20th century seaplanes add the feel of mystery, action and adventure without any words needing to be said. In the first, the lighting is simply dark and mysterious, adding to the ”film noir”.
- Tintin is obviously not really next to The Unicorn (unless the plot has been changed a lot…) in the first poster, so it may be too soon to assume that The Unicorn crashes in the desert. I think they just combined the sand and the water for dramatic effect and to add symmetry to the camels in the dessert on the left
- Tintin himself looks incredible. If you look closely at his face I think you may actually recognize his expression and even his pose from a panel in the comics. I definitely think they made his face dark here only for dramatic effect, nothing more.
- Hergé name is clearly mentioned before even the actor’s names. I’m sure he would appreciate that. I wonder if Moulinsart had anything to do with that…
- The 3D format will be well worth a watch.
- Finally, Spielberg and Jackson have done a magnificent job beginning their adverting campaign. I totally believe that even if I had never heard of Tintin I would gape in awe at these two posters. I just realized that Tintin is going to be that much more incredible and full scale than even I had imagined.
New trailer to come out tomorrow
At the end of empire’s post, they just threw in the info that the new Tintin trailer will not be released with Kung Fu Panda 2 but will actually in fact be on their site tomorrow morning! I am so excited! And after seeing these images, I am even more excited! These are definitely my favorite still images of Tintin released so far. I love every bit of them! I’m really hoping for another image of Haddock. I don’t know if I’m going to sleep tonight…
With their huge roles in the new Sci-fi film ”Paul” and the media’s renewed interest in getting a few words from them, it was inevitable that Tintin come up in an interview once again sooner or later. They made some comments on what it was like to work on set with Spielberg. Ironically this fits in well with my last post on what Spielberg had to say about working with the motion-capture set (which I later realized was literally year old news).
The stars talked about working on set with Steven:
“Steven, he did a lot of his own camera work,” Frost said. “He’d get a movement he really liked, punch the air and do a little dance. It’s intoxicating. You want to perform for him. You want to be around that kind of enthusiasm.”
They also talked about Spielberg’s new experience with the digital technology:
It was like he had a new train set,” Pegg said.”There was a genuine sense of novelty to him.”
They had a bit to say about Peter Jackson as well. Even though he mainly watched from a monitor in New Zealand,he had his part in the now finished shooting stage of the movie:
“Peter would do a bunch of rewrites at night while we were asleep,” Frost said, “and then we’d come in in the morning and be given the script.”
The stars both worked in Motion-capture suits, and told us about that experience as well:
“It was like rehearsing a play, like when you’re a kid and you’re pretending that thing over there could be the,” Frost said. “You have to concentrate. Peter Jackson is on the monitor, is there producing. — who looks amazing in a motion capture suit, by the way — is there. It’s like a big idiot’s dream.”
I know little about Nick and Simon since I personally haven’t seen any of their work,but from what I do know I get the comforting feeling that they work very well together and both have a tremendous sense of humor. I am looking forward to seeing them as ”Thomson and Thompson”.
Also,I don’t know if anybody else already knew this info,but I don’t remember hearing anything about Kathy Kennedy producing the film.
From what I can gather at least two different interviews with Jamie Bell after the press junket for ”The Eagle”, another upcoming film starring Jamie. Both have valuable information for Tintin Movie fans. Very special thanks to Pro-man, Wolfgang and Britto for finding information on these articles!
The first six minutes or so have almost nothing to do with Tintin,but he appears every so often from then on. There’s plenty of interesting info though for 10 minutes. Nothing that’s quite breaking news or anything that reveals much more than we knew already,but certainly worth a watch none the less. For those of you who don’t want to watch the whole video (or for those of you like me who have a computer that won’t have it loaded until the Tintin movie comes out) here is a summary of the Tintin related parts.
Jamie comments on the huge contrast between shooting on location for ”The Eagle” and shooting on a motion capture set where ”nothing is real” and things like a chair or even a camera are represented with pieces of metal. About 8 minutes into the video the interviewer asks a few questions about Tintin. Peter and Jamie have a professional relationship since King Kong. When approached on how he got the part Jamie talks about how he went down to New Zealand to meet with Peter Jackson and ”played around with the technology”. Jamie makes some comments on how he believes that motion capture is the only way to really stay true to Hergé’s artwork,the reason he believes that Tintin is still ”so successful and has withstood the test of time”.
He goes on to say ”I think what Hergé did was an incredible thing”. It’s refreshing to see that the actor playing Tintin is a true fan of Tintin as well. That will certainly show in the movie. Also,although he does not specifically say so in the interview about Tintin,at the beginning of the interview he spends a lot of time talking about how much work and research he put into playing his part in ”The Eagle” to the point where he even learned Gallic. If he was willing to do that for The Eagle,we can only imagine what his work on Tintin must have been like.
When asked if he had more respect for Andy Serkis now,Jamie answered ”Oh,for sure!…I’ve never worked so many times with Andy Serkis and now to actually work with him in something where I’m kind of in his back garden of technology…He is the guru! He is the Gandalf of motion capture!” He goes on to compare how just as Andy ceased to be Andy when he became the beast of King Kong he ceases to be himself when working on Captain Haddock. I can’t wait to see this on screen.
Since Tintin has such a long post production period,Jamie was asked how he was doing waiting to finally see the movie. Jamie replied ”I am itching…literally itching to see some stuff”. He commented on how post things took so long because thing’s are done in bits and pieces and it is so easy to change stuff. ”You just type it into a computer and your whole world pops right back up,so it’s very easy to change things”. Jamie said he was pleased with the images he has seen so far,believes the movie will be very and cool and that it has a ”very very driven kind of action adventure story with some really great characters I think everyone’s gonna love”. Later talking about the reaction of fans who haven’t heard on Tintin he says ”For anyone who are fans of things like Indiana Jones, this is kind of a very fresh take on that with a character that is very well established”
He was then asked about the experience of acting in motion capture and if he acted with others simultaneously or if he acted on his own. He replied that he acted like you would for any other film. ”It’s almost like rehearsing for a play that will never be put on stage.” It doesn’t feel like a movie set,he says,because all it is is a grey room with a bunch of cameras on the ceiling. ”When you’re acting it feels like a rehearsal space,which is really great cause it allows you to feel a lot freer because the room just feels so creative in that sense”. ”It’s really about kind of letting your imagination run wild”.
Jamie later confirms ”Tintin 2” but says the idea right now is to work on it after Jackson is done working on The Hobbit,a project he is very busy on right now and very devoted to. All that’s left in the video of Tintin related interest is his excitement of travelling around the world when Tintin is released,excited about being able to talk about his work with Spielberg and Jackson.
I will post more about a shorter interview in my next post.
Its been a week since the Empire Tintin Issue came out and I’ve had time to digest the images in it.
Below are my thoughts on those images. Note, the images, not the film itself. There is a big difference between a handful of stills and a full length film. Not to mention there is still a year to go and a lot can change. When the film is released I will judge it on its own merits and not pre-judge it.
However, several stills have been released by Spielberg and Co. so they are fair game. It has always been my intention with this blog to write what I think about the film. When I like something, I say so. When I dislike something, I will also say so. You are free to disagree with me and voice your own opinions in the comments in a polite manner fitting of Tintin fans.
Scanned from Empire Magazine
This shot is the cream of the crop.
The texture of Silk’s beard, the look of the Twins, the detailed background, the composition of the shot, the lighting – they are all perfect.
The Not As Good But Still Good
Scanned from Empire Magazine
Dark and moody, full of portent and potential action. The low camera angle and heavy shadows gives the shot a nice feeling of tension.
From Empire’s online gallery
I wrote earlier that I didn’t like “the harsh light behind Haddock”. Interestingly, the print version of this image is much, much darker. This is down to the technological and production differences between VDU displays that emit light and printed matter that reflect light. In the print version, the back lighting looks less out of place and I much prefer the image even though it is harder to make out the details.
From Empire’s online gallery
These two images are the only ones from the film that show the full body lengths of our main characters plus Snowy. In both of them, something looks off-key. Haddock in particular look unnatural in his pose in both. Maybe this is just Andy Serkis’s acting of a drunk and it will look OK in context.
Snowy also doesn’t look right. This may be because he is the only true character animation in the film whilst everyone else is motion-capture.
Given the quality of everything else, I willing to bet that in the film everything will look right but it does leave me with a Polar Express type worry.
I really don’t like this cover. The detail is exquisite but both Tintin and Snowy look really unnatural but without any of Herge’s charm. It would of been much better if they had only used actual images from the film. I suspect that this image is influencing my opinions and unduly increasing my worries about the two previous images.
Am I Excited? You Bet!
Despite all the quibbles and doubts I have about the images, all the signs are that will Spielberg & Jackson capture the look and the spirit of the books. Roll on October 2011!