When the Shooting Star was first put into book form, Hergé removed a panel of two caricatured Jews talking about the end of the world. The name of the villain is changed from Blumenstein to Bohlwinkel (after Bolewinkel, which means ”candy store.”) and the USA was changed to the made up nation “Sao Rico.”
By popular demand, the highly praised Travels of a Boy Reporter has returned. This map tracks the journey of Tintin in his 23 adventures across the world.
Download & Print
The map is available as a download for just £10. Once you’ve downloaded it you are free to use it how you wish (non-commercially only). Print it out, have t-shirts made, use it as your computer’s desktop. You are free to use it however you want.
It comes in a variety of sizes ranging from the small 480×320 pixels, suitable for an iPhone, to the huge 6679×4722 pixels, suitable for an A1 poster.
Find out more about the map or skip to chase and buy it now.
High resolution graphics with license to print and use the map for any non-commercial purpose.
The world has had a chance to digest the first Tintin images for a whole day now. So what is the world thinking?
Based on the comments on this web site, most Tintin fans are excited about it. With only one or two dissenting voices raising concerns about the nature of the animation. In the wider world, reaction is more mixed and seems pretty polorized with very negative and very positive comments in equal measure.
Wading Through the Bullshit
One of the problems with the internet is that people love to hate. The Trolls who live on forum and write blogs vent bile because it gives them a sense of purpose, not because they have anything interesting to say. Filtering out the nay-sayers from those with a genuine ability to analysis and criticise is hard.
Of those commentators and writers who can put together an articulate sentence, most appear positive.
What Do I Think?
Having run this web site dedicated to the Tintin movie since the films were first announced over 2 years ago, what do I think?
My personal feelings about the images is mixed but part of the problem is that the film’s producers / Empire magazine made a mistake.
By having the cover as a specially created image and basing it on an iconic Tintin image, they were only ever going to highlight the differences between Herge’s artwork and the film’s style.
The cover image itself is not that good either. The detail is amazing but most people don’t see the detail, they see something this size ….
And it does the film no favours. Tintin looks a bit unnatural but Snowy look stuffed. An albino Scooby-Do was how one person described him and I’m with them on that.
It is in the stills from the actual film that we learn a lot more. Here, the context, the background and the story all come into play. They will also of had more time and attention payed to them than the cover.
This instantly recognisable scene is great because you can instantly recognize it. The world around the characters is wonderfully detailed and lifelike but…
… there is something about the posture of the three charaters, Haddock and Snowy in particular, that looks wrong. Snowy seems stuffed again and Haddock looks like he is suffering from a bad case of rag-doll physics.
Oddly, in this scene, the problem is reversed. I think this is from the first meeting of Haddock and Tintin and here the characters look wonderful. The real emotion on Haddock’s face is there for all to see. His hair and imperfect, aged skin really give a realism to the character.
However, the background could be fantastic but is mostly blotted out by the harsh light behind Haddock. This is a real shame as the sou’wester on the right looks great. The lightning in this still spoils it by distracting from the character and the background.
So What Have We Learnt From The First Images?
The visuals have had a mixed response but the film was always going to generate this sort reaction. Unless it looks 100% like the original artwork it is inevitable that people will complain. Personally I’m excited by them, trusting to the directors to make the look of the film work within the context of a 3d movie, not as a magazine cover.
What is far more important is wether the film captures the spirit of Tintin – the sense of adventure, the humour and above all, the characters. To answer these questions, we must wait another year.
Have you ever wondered where Syldavia is? Where Tintin found the Shooting Star? Or where was Captain Haddock’s ancestor was marooned in Secrets of the Unicorn?
When I read Tintin, I wanted to know more about the places he visited. Herge brought them so vividly to life in the books that as a child I dreamt of going to Tibet and finding the Yeti myself or to exploring the streets of Brussels and meeting the weird and wonderful characters that occupied Tintin’s world. Over time, I grew up and these fantasy developed into a genuine fascination in the history and geography of the world.
My love for Tintin had waxed and waned over the years. I completed my collection of books but they were rarely looked at. More reminders of fond memories than anything I kept for their own value. Yet when the Tintin movie was announced, something drew me back to them and I started this blog. Once more I’ve found myself engrossed with Tintin except this time, I was more interested Tintin’s place in the world. How Herge shaped the real world around his hero, keeping some aspects of reality and ignoring others. Eventually this drew me to the map. I wanted to be able to see how Herge had intertwined reality with fiction and a map was the easiest way of exploring this aspect of Herge’s creativity.
Probably my favourite part of the map is the route taken in The Shooting Star. It was the first Tintin book I owned and I spent many hours as a child reading and rereading it. But what stands out from the map is the real sense of a chase taking place. With the sighting of the Perry and the distraction of the faked SOS message, more than any other of Tintin’s travels, it is possible to see how the story and his physical journey combined.
Rare vintage Tintin toys: Blistering Barnacles! These vintage sculptures and hat made a huge splash at our stores…
Charles Burns, one of the most disturbing comic artists / illustrators has a portfolio of work out by United Dead Artists that includes this familiar image:
For comparison I thought I would put up the original image and I was amazed at how close Charles Burns’ version is to the original. Try comparing the locations of the rocks. I then noticed something about The Shooting Star. The cover is a redrawn version of one of the panels.
The Shooting Star Cover Art Work
Final Panel of Page 51
It makes sense for the artwork to be redrawn for the cover but my surprise is a naiveté left over from my childhood when I would look through the books finding the frame they had used for the cover. One more precious childhood memory destroyed by the bitter reality of adulthood.