Albums, Cigars of the Pharaoh, Herge, Moulinsart

When I first read the news story I thought it was a joke. But as sure as today’s October 21st, not April 1st, these news come in all seriousness. Casterman and Moulinsart plan on creating one more Tintin album, and its release date is set for 2052. Wait, what?

But how? Why? Whatever happened to respecting Hergé’s wishes that nobody continue with the series? Well, I’ll post the article straight from Le Soir (or rather…from Le Soir through Google Translate. I’ve edited parts for clarity only, since I don’t know too much French, but, only at times, I know a little more than Google).  I didn’t fix everything, and some of the verb tenses are hard to straighten out, but you guys are smart…You’ll get the point.


In an exclusive interview with the Paris daily “Le Soir” and “The World” with Charlotte Gallimard, new director of Casterman and Mouchart Benedict, the new editorial director of the Franco-Belgian publishing house, Nick Rodwell, the head of Moulinsart, unleashed a scoop.In 2052, Casterman will be allowed to publish a new Tintin adventure, a year before Hergé’s work falls into the public domain.Nick Rodwell said that the mission of the heirs of the master of the clear line is to “protect and promote” his work. With this in mind, a new album will be the only way for him to prevent Bashibazoucks from making Tintin into everything and anything, 70 years after the author’s death.

During the meeting, Benedict and Charlotte Gallimard Mouchart also revealed the signing of a sponsorship agreement of the Hergé Museum in Louvain-la-Neuve and the publishing  next year of the “Secrets of Cigars of the Pharaoh ” by Casterman. This album celebrates 80 years of presence in the catalog Tintin Casterman. He will tell in pictures redesigned by Hergé Studios adventure published in black and white in 1934 to create the color album that we know today. Finally, Moulinsart and Casterman are also considering making a movie or a cartoon Jo Zette.

I’ll be honest, Tintinologists. I have very mixed feelings about this, but they are turning more and more negative the more I think about it.  Hergé didn’t want anybody making more Tintin albums. Tintin was his child, and for many years, Tintin literally took over the man’s life. To continue the series, especially so many years after his death, and still consider it official is really a bizarre and kind of uncomfortable idea. I agree with their intentions: I don’t want counterfeit Tintin’s to sprout up and turn Tintin into “everything and anything” either. But really, if that happens after whenever Tintin would become public domain, who does that really harm?

Such publications would fool nobody, especially 70 years after Hergé’s death. And honestly, as much as Moulinsart and whoever else wants to stop it, people already make Tintin into everything and anything. They just don’t easily get away with selling it. And while sure, some cases are “Tintin and Thailand”, many others are just innocent fan art. But nobody’s trying to say that those are official, “canonical” Tintin albums.

But Casterman and Moulinsart have everything to lose financially if they can no longer control who sells and markets Tintin. So in an effort to protect Hergé’s last wishes, they actually have to break them.

What I fear is that this may not become just “one extra album.” Fans will want more. Kids will want more. Compared with other comic books, 24 albums is a small number of adventures. And if the moneymakers can break the rules once, they may just break them again. I can just hear people ask, “After all the work it will take to produce that one super special album, why not take advantage of whoever creates it and let him make a few more?”

But for better or for worse, a lot can happen in forty years. Forty years ago Hergé was still making Tintin albums! What do you think, fans? Is this a good idea? Should we just wait it out and see? I wouldn’t expect too much news on this for a long, long time.

On the plus side, I think a Jo, Zette and Jocko movie would actually be a really good idea.


Prisoners of the Sun

So, a long time ago we were told that Tintin 2 would be adapted from the album Prisoners of the Sun (and The Seven Crystal Balls, which precedes it). Then we were told that it not be those two, and we were left guessing and speculating. Now it appears that they might have stuck with the original plan. But the info is still questionable, so don’t count on knowing all the facts just yet. The information comes from the Latinos Post that cites an interview from ScreenCrush. The line of interest for Tintin fans, written at the end of the article, is:

Kennedy was recently nominated for an Academy Award for her work on “Lincoln” and is currently in Pre-production for “The Adventures of Tintin: Prisoners of the Sun”


Now this isn’t a direct quote from Kennedy and we can’t find anything elsewhere to back this up. But it is possible that she revealed it and everybody is so interested in Star Wars VII, the focus of the article, that few have given the info much attention. On the other hand, it is possible that Latino Post is working on outdated information.

I still think Prisoners of the Sun would be a great adventure to introduce Calculus in (and even stay true to the chronology of Tintin). I’ve been saying this for months, but hopefully new news will come soon.


Land of Black Gold

The stance that Tintin takes to shoot down the play in the movie adaptation of “The Secret of the Unicorn” with Tintin’s elbow used to steady his aim is taken from Land of Black Gold, where Tintin uses this same stance.

Tintin and Alph-Art

How many unauthorized ”finished” versions of “Tintin and the Alph-Art” can you name? One came out by an anonymous man called “Ramo Nash” (after, of course, the artist in the book). Several came out by Canadian artist Yves Rodier, and in the 90’s fans distributed one by Regric etc.

Tintin and the Picaros

Hergé created Peggy, Alcazar’s wife in “Tintin and the Picaros,” after seeing a lady with a simlar personality on television in a documentary on the KKK.

Flight 714

The television presenter at the end of Flight 714 (or, as he has more recently been literally translated to Flight 714 to Sydney) is a Tintin fan named Jean Tauré, who sent in his picture to Hergé asking if he could please be seen shaking Captain Haddock’s hand in a future book. Lucky guy!

The Castafiore Emerald

In The Castafiore Emerald, Hergé uses the fictional “Paris-Flash”  to poke at the real “Paris-Match,” which had published an article filled with errors on Hergé and his publisher.

Tintin in Tibet

For lack of space, Hergé had to remove a section from “Tintin in Tibet” where Tintin and Haddock run away from exploding firecrackers left in the rubble of the crash.

The Red Sea Sharks

In the original version of “The Red Sea Sharks,” the poor African slaves’ dialogue was written in very bad French, but then a newspaper complained that this was racist, and Hergé changed the dialogue to essentially normal spoken French. The English translators went back to having the slaves speak in broken English…