3D, Steven Spielberg, Tintin Movie Cast & Crew, Tintin Movie News

Tintin movie to be edited just like any other movie

In a recent interview with Michael Kahn,the man in charge or editing ”Tintin: The Secret of the Unicorn”, Michael informed us that the Tintin Movie will be edited ”just like any other film”. Michael has been editing for Spielberg since ”Close Encounters of the Third Kind” in 1976 and this year celebrates his 75th birthday. He has edited such action packed classics as Indiana Jones and the Raiders of the Lost Ark, Jurassic Park,and Saving Private Ryan.

The Tintin movie is the first movie Michael has ever edited for Spielberg using Avid (a digital way to edit movies) instead of the Moviola, an old fashion tool used to edit movies invented way back in 1924. But Michael assures us that the editing process of the movie is still the same. He said the videos still needed a few touch ups in the background and such since the shots themselves weren’t finished, but that would not affect the actual editing of the movie. The Tintin Movie will be put together just like any other film would.

Right now you might be asking yourself  ”So what? Why wouldn’t it be?” But actually this is important. Although there are now many more 3D movies then there were even just a few years back,it is still not uncommon to see movies where the directors constantly try to impress the audience by throwing things out of the screen…especially in films created by computer.  Granted the effect is a lot of fun,but not if it slows down the story of the movie. But when it comes to Tintin not only are the directors directing the movie like they would any other film, but even the editing process is the same as other Spielberg films. Not only can we have faith that Spielberg will not tie up the story of the Tintin Movie because he,for instance,keeps shooting the Unicorn’s cannonballs at the screen or something like that (that would be completely out of character for him). We can even have faith that Kahn will make decisions on what seconds of the movie to keep or get rid of based on what is best for the story and flow of the movie and what Spielberg has always expected from him, not on what ”looks cool in 3D”. Both men are professionals with many many years of experience. We could not have hoped for a better crew working on this movie.

I enjoy editing home videos and such things in my spare time and I know that editing is a very precise and time consuming job. I admit I had never heard of Michael Kahn before,but I now have a respect towards him and anybody else who has been editing such great work for so many years. He certainly deserves it. Special thanks to Proman for finding this information,and to all of you who find leads and videos. Keep up the good work!



picture found on http://www.edgarwrighthere.com/2011/02/21/michael-kahns-ace-lifetime-achievement-award-tribute-reel/


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