Tintinology (formally Tintin Movie .org) is an independent news and analysis service on the Tintin movie and the works of Herge. (c) Chris Tregenza, Tintinology.poosk.com
Tintin, Tintin & Snowy, Captain Haddock, Thomson & Thompson, Professor Calculus and Herge are all trademarks of Moulinsart S.A. The text and images of the 24 Tintin albums (c) Herge / Moulinsart S.A.
Tintin Movie Twitter
- Tintin versus Asterix -- http://t.co/hK6fF5BJ >>
- Rin-Tin-TinTin - http://t.co/9moh3Gh0 >>
- @domjoly I liked the first 1/2 to 2/3rds but last part, i.e. the new material, was weak. >>
- RT @domjoly: Off to see the Tintin movie- incredibly nervous that I'm going to loathe it. >>
- New Tintin TV Spot -- http://t.co/sEwnSN6T >>
- Almost 300 members of @tintinid watched the Tintin Movie together at Blitz Grand Indonesia yesterday #tintinID >>
- Tintin in the Congo defended by the Vatican! -- http://t.co/wKW6ln7E >>
- Tintin continues to triumph in cinemas. -- http://t.co/4KN1JRBH >>
- Nice collection of images from Toronto Draws Tintin -- http://t.co/8TJUL3rE >>
- RT @akajonah The movie is exquisite! Beautiful ! Need to watch it again,2 much to take in! Breathtaking! 3D awesome. Felt like a kid again! >>
- @terryduffelen My pleasure. Enjoy the film. >>
- Toronto Draws Tintin -- http://t.co/qdCie78C >>
- Review – Tintin: Secret of the Unicorn -- After four & half years of waiting, I finally get to see the film -- http://t.co/pZOzsngE >>
- @martylog UK wide from today. >>
- RT @JoeStephenson: Oi! Why is the @TintinMovie soundtrack still not on iTunes?? How am I supposed to run around boats pretending to be T ... >>
Review: Tintin and the Secret of Literature
Tom McCarthy’s 2006 book, Tintin and the Secret of Literature is reviewed in the Los Angeles Times.
In France in particular, Tintin became a cottage industry, his exploits fodder for philosophers, psychoanalysts and literary critics, all of whom McCarthy leans on in asking, “Is ‘Tintin’ literature?” He notes the “huge irony . . . that the ‘Tintin’ books remain both unrivaled in their complexity and depth and so simple, even after more than half a century, that a child can read them with the same involvement as an adult.” But the question of whether they’re literature is not as interesting now, given the ascendance of pop culture. McCarthy seems to admit as much when he tweaks his query slightly: “As soon as we ask if ‘Tintin’ should be treated as literature, we raise another question: what is literature?”


