Tintinology (formally Tintin Movie .org) is an independent news and analysis service on the Tintin movie and the works of Herge. (c) Chris Tregenza, Tintinology.poosk.com
Tintin, Tintin & Snowy, Captain Haddock, Thomson & Thompson, Professor Calculus and Herge are all trademarks of Moulinsart S.A. The text and images of the 24 Tintin albums (c) Herge / Moulinsart S.A.
Tintin Movie Twitter
- Tintin versus Asterix -- http://t.co/hK6fF5BJ >>
- Rin-Tin-TinTin - http://t.co/9moh3Gh0 >>
- @domjoly I liked the first 1/2 to 2/3rds but last part, i.e. the new material, was weak. >>
- RT @domjoly: Off to see the Tintin movie- incredibly nervous that I'm going to loathe it. >>
- New Tintin TV Spot -- http://t.co/sEwnSN6T >>
- Almost 300 members of @tintinid watched the Tintin Movie together at Blitz Grand Indonesia yesterday #tintinID >>
- Tintin in the Congo defended by the Vatican! -- http://t.co/wKW6ln7E >>
- Tintin continues to triumph in cinemas. -- http://t.co/4KN1JRBH >>
- Nice collection of images from Toronto Draws Tintin -- http://t.co/8TJUL3rE >>
- RT @akajonah The movie is exquisite! Beautiful ! Need to watch it again,2 much to take in! Breathtaking! 3D awesome. Felt like a kid again! >>
- @terryduffelen My pleasure. Enjoy the film. >>
- Toronto Draws Tintin -- http://t.co/qdCie78C >>
- Review – Tintin: Secret of the Unicorn -- After four & half years of waiting, I finally get to see the film -- http://t.co/pZOzsngE >>
- @martylog UK wide from today. >>
- RT @JoeStephenson: Oi! Why is the @TintinMovie soundtrack still not on iTunes?? How am I supposed to run around boats pretending to be T ... >>
Raymond Leblanc, 1915-2008
Tintin publisher Raymond Leblanc died over the weekend. Comics Reporter have a good obituary.
A civil servant turned member of the French Resistance in World War II, the Longlier native partnered with two friends to create a small publishing company on Rue du Lombard in Brussels. Their big coup came in 1945 when they convinced Herge to bring his Tintin into the fold of a weekly publication devoted to kids to share the feature’s name. The cartoonist, already a success with a dozen albums to his credit but battered personally and professionally by the limited publishing opportunities during the war in a way that would drive criticism his way for the remainder of his days, accepted their offer. He recruited three friends — Paul Cuvelier, Edgard P. Jacobs, Jacques Laudy — to help him form the core of the magazine. They and their successors would take aim at the successful Spirou and forge a successful legacy for themselves at the same time.


